Thursday, February 04, 2010

Abadoned Towers Magazine issue #5 - look what's coming!


Issue #5 goes on sale on March 1.

Here's a little taste of what's you'll miss if you don't get a copy:

Table of Contents
Zap Zachary Returns by Stoney M. Setzer
Gold by Arthur Mackeown
Ray Guns by Doug Hilton
Othan, Debtor by Kurt Magnus
The Horrors of War by Chris Silva
Mindforms by Dal Jeanis
Jeffrey’s Story by Guy Belleranti
Final Score by Brad Sinor
Riding to Hounds by Thomas Canfield
Copper-bottom’s Downfall by Arthur Mackeown
The Last True Gunslinger by Y.B. Cats
The Empty Chair by Malcolm Laughton
‘ware the power by Jack Mulcahy
Call of the Northern Seas by Norman A. Rubin
Across the Plains by Lou Antonelli
Hobocop by Kevin Bennett
The Grave of Armond Balosteros by E.W. Bonadio
The Last Saguaro by Doug Hilton
Odds Are by Kevin Brown
Grief, father dead, bathroom adrift with manta rays of green towels by Harry Calhoun 33
Black Bird by Thom Olausson 2009
Searching for my Dream by John William Rice
Proudly Stupid by Christopher D. York.
Night Walk Demise by Carl Scharwath
Dimuendo’s by Thom Olausson
Android Attack coloring pagey by Richard H. Fay
Interview with Poet and author, Alex Ness
The Man-Thing by Eric S Brown
Fantasy Artist Johnney Perkins
Nexus Point Recipes by Jalea Clegg

Artists in this issue
Cover Art -Zap Zacary Returns by Richard Svensson

Illustrations -
T. A. Markitan
Copper Bottoms Downfall
Riding to Hounds
Gold

Aidana Willowraven
Othan Debtor
Last Saguaro

Brad Foster
Deep into the Core
Hobo cop
Black Bird

Hugh Howey
The Horrors of War

Anna Repp
Mindforms


Now here are a few excerpts:

Zap Zachary Returns

By Stoney M. Setzer



Clint Adamson wanted to throw the cell phone across the room. “You can’t drop me!”

“Look, I’ve tried everything,” Phil Jeffers countered. “Movies, TV, reality shows, even commercials, but nobody’s interested. I warned you that you’d get typecast!”

“But you’re my agent! You get paid to find me work!”

“I get a ten percent commission, but only if I find you work. Last time I was in a math class, ten percent of nothing equals nothing. I hate doing this to you, but the standards of my profession dictate that I have to devote my time to clients who can actually make money. I’ve got bills to pay!”

Clint nervously ran his hand through his hair. “But I’ve got bills, too! What am I supposed to do now?”

Phil released a deep sigh on the other end. “Man, I don’t know what to tell you. I just wish you would have listened to me and not done Zap Zachary for five seasons.”

“I kept telling you, that was the role I was born to play!” Clint looked at the décor of the studio apartment, which consisted almost entirely of Zap Zachary memorabilia, from posters and photos to toys and models. He had been a huge fan of the comics as a kid, and once he had been cast to play him on television, the fervor was rekindled anew.

At least, he thought he had been a fan of the comics. He was slightly unsettled to find his childhood recollections were suddenly a bit hazy.

“Even if you had only branched out a little, taken a movie role here or there, we’d both be much better off right now. Look at your old co-stars!”

Ouch. During the show’s five years, the entire cast had taken other acting jobs on the side, and all of them were still working now. At the time, Clint had thought that all of them were disloyal to the roles that were bringing them fame, almost as if they were cheating on their characters. Hindsight being twenty-twenty, he could see Phil’s point only too clearly.

========

The Last True Gunslinger

By Y.B. Cats

Gunslinger Red Bandana stepped into the street, accompanied by the ting-ting from his spurs and a dry desert wind. Sunset orange tinted the town’s storefronts and softened their boxy angles; in this hue the town could deny its bloodlust and dress up in romantic lore, if it wanted. Alas, Rio de Roja did not favor romance, only blood, gore, and glory. No respectable townsperson would admit it, but they lived for a chance to see gunslingers felled by each other’s bullets. Even now, “good” townsfolk hid behind cover that allowed a glimpse into the street.

“I’m gonna make sure everyone sees yer ugly face, Red! I bet under that bandana, you’re so ugly even yer mama won’t stand fer it!” Gummy McGee cawed like a carrion-eater from street’s end. He twirled his pistols – slick, flashy silvers – and dropped them back into their holsters. Red pictured Gummy’s tombstone – Here lies Gummy: who picked a fight with Red Bandana, because he was a dummy. Rio de Roja’s undertaker fancied himself a poet.

The only problem was, Red couldn’t see. Gummy made sure he took the street end where he could stand with his back to the sun. The big orange ball glared as it slipped behind the western horizon, and a squint didn’t help. Here lies Red Bandana: done in because he couldn’t see, the fool before him, Gummy McGee.

“Red,” a water barrel in Red’s peripheral vision tried to get his attention. It wasn’t the water barrel, but someone cowered behind it. “Before you git mad, I just want you to know, I have ’em right here.”

“What, Justus?”

“The bullets,” Justus replied. “The bullets I forgot to put back in yer gun after I cleaned it, like Susanna told me.” Red Bandana didn’t sweat at gunfights. Icy rivers coursed through his veins. He didn’t taunt, he didn’t gloat, he pulled his pistol faster than any man in the west, and everyone knew it. At his brother’s confession, though, a hot itch tickled his armpits.
====

Mindforms

by Dal Jeanis



1. Arrival at Zard



Since they believe they’re all the same, I approach the first Zard I see, a big and squishy lump resting under a volcanic rock formation. His flock scatters at my approach, mostly fat little greenfish and striped zoupies, but then they drift back to hover around us. He extends an eyestalk in my general direction and emits a typically slouchy query.

“Thalen, as Ambassador,” I answer crisply, but I allow the sense of my long journey, curiosity about my predecessor, and my interest in the Ancient ruins to enter the water as well. ‘Ambassador’ is the agreed-upon translation, since these soft cousins wouldn’t understand the scientific term for what I do. The gentle current blows our thoughts downstream to our left, and I see another slug begin to react to the conversation.

The herder’s flaccid posture is difficult to read, but the scent of his amused curiosity washes across me. Apparently he wonders why I am punished this way. He wouldn’t possibly believe I volunteered, unless I told him in full memory. His disbelief heightens my awareness of the supplies and mind pods strapped across my back and between my rear legs, my last links to the sanity of my prior life. I plant all six legs, wide and relaxed, and open my vents to breathe deeply.

“If my presence would be disruptive, I could return later?” I add the obvious sense that the disruptions could be mutual.

“You smell smarter than that, crab. Proceed.” He produces a courier sack from under his body and contorts it into place on the vent between his limp first and second legs. The sack inflates with his memory of the conversation, which he hands to me. “Give it to anyone who asks. He’ll replace it.”

The drag of the sack comforts me as I climb over the formation, picking my way through edible anemones, and approach the oldest buildings in the world.

They loom many bodies high, an artificial ravine in the amazing stiff and square construction that I and my colleagues have not been able to reproduce. The tops fairly glow from the daylight filtering through several meters of clear water, but the bases have a more comfortable level of illumination.

According to the claim of the slugs, their ancestors created this cubic grotto. I can neither accept nor refute the idea. The ancients lived in close proximity to one another, hundreds of individuals, just like the slugs now weeding away plant sprouts and feathery animals from the smooth skin of the buildings.

The constant low smell of slug thoughts lies like silt over the scene. But Zard remembers nothing of methods or means, sciences or symbols. The contradiction will not resolve.

I savor the moment, clarify it, condense it, and put it into a pod for later analysis.



Wednesday, February 03, 2010

Get ready to Boldly Go - Star Trek online has started


Tim Sayell points out an article in Plugged In reporting what for many will be a red letter day or as Plugged In said "Red Shirt" because Cryptic Studios has taken the MMORPG - Star Trek out of beta that it has been running in since December of 09 and into a brave new world. Yes, now you can be the captain of a Federation warship or Klingon warlord or anything that strikes your fantasy in Star Trek's online world.

Star Trek online is for all intents a combat simulation, which may disappoint many fans hoping for a more complete Star Trek universe. Plus it is set so far into the future of the Star Trek we all cut out teeth on that none of the characters we know in various Star Trek outing are present (code for alive) in this time line. So if you were hoping to hobnob with Kirk or Picard you will be very disappointed.

Also another bone of contention is the price for the privilege. First is a hefty initial outlay of $50 for the main game and then $14.99 a month to blow up the baddies. Which may prove to be to rich for a narrow game-play platform. Time will tell.

Complete article here

Tuesday, February 02, 2010

Antipodean SF magazine # 140 now online


The newest issue of the online magazine of flash fiction Antipodean is now available online.
here is a list of the stories available in this month's issue.
  • The Deal By Kevin J. Phyland
  • Wedding By Jan Napier
  • The Trouble With Hitchhikers By Gregor MacNamara
  • Joyride By James C. Clar
  • Fabcola - Living A Better Tomorrow Today By Shaun A. Saunders
  • Depths of Depravity By Robert Moran
  • By Any Other Name By Rob Bleckly
  • Tomorrow's Martyrs By Mark McAuliffe
  • The Last Terrorist By Edward Harvey
  • Surprise Attack By David Scholes
these stories and more available at Antipodean SF

Obama Tells NASA to Junk the Moon Project


Ok, here is some stuff just to make you crazy....

Dvice.com reports that president Obama is telling NASA to Scrap plans to have men on the Moon by 2020! Want more Junk the Constellation program.

Ok, first off, I know, I took one look at the Constellation program and the planned Moon missions and said this is Apollo redux! And I did hammer on the Constellation with it's vibration problems and the asinine spring solution. And I know, I have said that going back to the Moon instead of focusing on Mars seemed like a serious waste of time. (why redo what has been done....the earlier programs were "this is how you do it" not "this is a recipe on how to do it just like this again) It's one thing to sit and grumble, I don't set policy so I can take that liberty, but it's another thing to see the paring knives come out and the butchering begin. And now without even the poorly conceived Constellation rockets, we have NOTHING as a follow on to the Shuttle program. Obama is citing lack of innovation in both projects...
ok, that is a hard one to call him on, but my grumbling was almost "inhouse" - as a space enthusiast I felt that this was not one of NASA's best efforts, but I would have been right there when one of them bad boys roared off the pad. It's hard to see NASA being put down like an old dog by someone from "outside" lol, I know...but it just feels wrong.

This is what the Dvice article quoted the NY Times about:
  • Mr. Obama's 2010 budget proposal for NASA asks for $18 billion over five years for fueling spacecraft in orbit, new types of engines to accelerate spacecraft through space and robotic factories that could churn soil on the Moon — and eventually Mars — into rocket fuel.
ok, that doesn't sound so bad, but refueling what spacecraft? What, our space program is now relegated to gas station attendants? Just feels .......... wrong.

read the complete Dvice article here

read the NY Times article here

Review: Knowing staring Nicolas Cage

Knowing
running time 116 minutes

directed by Alex Proyas
staring Nicolas Cage Rose Byrne Chandler Canterbury Lara Robinson

Knowing is on the surface a fairly simplistic end-time movie. However some of the issues dealt with in the movie itself are fairly complex and sophisticated.

Nick Cage's character John comes into possession of a strange piece of paper covered by what at first seems nonsense numbers. This paper was created 50 years ago by a little girl and place into a time capsule. At first the numbers seem to have no meaning until, by chance John notices a string that dated 9/11.

After that John is able to tie many of the numbers to past events, its at this point he notices that several of the number sequences are in the future. John witnesses a few of these events but is not able to prevent any. John is then motivated to search out the little girl's daughter to help him understand what is going on.

In a sub plot we learn that John's son Caleb has been hearing what he calls whisperers as is the daughter of Diana, the adult daughter of the girl who created the number paper. The Whisperers become much more evident to John and Caleb as they near the last date on the paper.

The ending is full throttle and at times quiet and mysterious and turns out as you suspect and not quite as you suspect at the same time. Its a movie that doesn't lean heavily on cgi and special effects - even though many of the integral moments are just that...cgi - and at the same time treats the viewer with a modicum of intelligence, letting you work out the little details for yourself. That in and of itself is a rare commodity these days.

And the DVD? One with extras is getting hard to find as well! Not the case here! Very impressive. We have the basic director narrative, though it's more of the thought behind the movie, a real good "making of" featurette and surprisingly, a piece of apocalyptic philosophy in historical reference. Quite interesting.

So overall? With a theme that could easily beat you over the head with special effects, cgi pyrotechnics and thoughtless violence where in the end the Earth is saved by a gigantic paper plate (I swear I had that mentioned to me by someone who just saw a version of the movie I was glad this one wasn't having the planet compared to a plastic plate and saved by a big paper plate in space...I swear I am telling the truth!) we are allowed to think and make up our own minds, this movie scores big for me. Plus add in an excellent special features selection and I can 9.5 or a 10. What am I waffling on? Well some of the cgi was clearly cgi if you catch my drift and the sparklie creatures at the end....that was old when Ron Howard did it what 20 some odd years ago? It kinda bothered me that there were effects being used that might be older than the audience watching....but it wasn't enough for me to even come close to panning the movie. Good addition to the dvd library.